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Original Sin #2 Of 8 Books

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Original Sin #2 Of 8 Books

I have absolutely no idea where to start with this comic. Do I go for the art first? The bizarre team combinations? Perhaps the villain who is so far down the roll of memorable villains that he needs to kill 50 people just to make it onto the Z-list? The thing is, I have had an awful day and what I really want is a terrible comic that I can launch into and rip to pieces, but this is just not it. This is not bad, far from it; it is just so darn confusing. Again even that is misleading; the comic is not confusing because it is hard to follow, more so that it is so complicated and we are getting such a small piece of the story that you leave it feeling like your brain had suffered a minor earthquake.

So, what did I mean when I wanted to talk about the art? The first thing that needs to be said is that the panel layout is exemplary. It may sound a little bit boring, but when you stand back and analyze the comic you can see so many tricks the artist has used to lead the eye around the page, or make you feel off centre by leaning the frames. It shows you that there is so much more than a comic can do without going to the extreme of Marco Rudy* and without falling back to the nine panel grid. Panels can be windows, grids, wavy shapes; people can overlap the edges and fall from one to the other and the artist shows us that we should not be afraid of white space on the page. However there is another side to this. On the close ups and wide shots there is a huge amount of detail and attention to the characters, but in the small panels they lose a lot of definition and there is a lot of inking to hide this. I can accept that this is a style, but I would direct people to Immonen’s work on All-New X-Men. He uses the small panels for close ups and leaves the full body pictures to the bigger panels. When Mike does that here everything looks so much crisper.

I came into this series with absolutely no expectations, unlike Infinity and Battle of the Atom where I was really excited about them. This has probably helped me not get upset that I do not understand it and is giving me the time to process it without requiring it to be awesome straight away. However I think this needs to start giving us some answers by the 4th issue at the latest, or even I might start to lose interest.

Product details Comic Publisher Marvel Comics (2015) ASIN B00K4K60OQ

Tags : Original Sin #2 (Of 8) on Amazon.com. *FREE* shipping on qualifying offers.,Original Sin #2 (Of 8),Marvel Comics,B00K4K60OQ
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Original Sin #2 Of 8 Books Reviews

It’s the day after The Watcher was murdered and the heroes are hot on the heels of the killers the Mindless Ones (think Cyclops crossed with The Maxx). But their behaviour suggests they’re just the puppets - so who’s the puppet master? And who’s stolen The Watcher’s eyes and why?

The second issue of Original Sin is a bit meh. For one thing we know the Mindless Ones aren’t the real killers because who gives away the killer’s identity by the second issue of eight, so all of that bru-ha-ha is a lotta nothin’, and for the other, the heroes basically spend the issue looking for clues and talking about pretty mundane stuff.

Towards the end Jason Aaron throws a curveball when we see another Thing who looks weird - is he an alternate dimension Thing or a futuristic Thing? - and then the final page reveal of a bizarre z-list villain (that’s literally how he’s introduced in the caption!) was unexpected. But then if you know anything about Aaron, it’s that he has a tendency to bring back long-forgotten characters and slip them into his stories - that’s how he brought back Doop and made him popular!

Mike Deodato’s art is quite impressive here, especially the splash page where the heroes have surrounded the villains in downtown New York City (man, it must suck to live there in the Marvel Universe - everything getting smashed up on a monthly basis!). Plenty of clean lines and ambitious, frenetic action panels - Deodato’s put a lot of effort into this comic and it shows.

Original Sin #2 is a necessary bridge issue to get us to the next part but it’s not the most enjoyable comic to read as there’s just a bit too much dull exposition for my liking. Though it does have Nick Fury classic flying with a jetpack so, silver lining an all.
I have absolutely no idea where to start with this comic. Do I go for the art first? The bizarre team combinations? Perhaps the villain who is so far down the roll of memorable villains that he needs to kill 50 people just to make it onto the Z-list? The thing is, I have had an awful day and what I really want is a terrible comic that I can launch into and rip to pieces, but this is just not it. This is not bad, far from it; it is just so darn confusing. Again even that is misleading; the comic is not confusing because it is hard to follow, more so that it is so complicated and we are getting such a small piece of the story that you leave it feeling like your brain had suffered a minor earthquake.

So, what did I mean when I wanted to talk about the art? The first thing that needs to be said is that the panel layout is exemplary. It may sound a little bit boring, but when you stand back and analyze the comic you can see so many tricks the artist has used to lead the eye around the page, or make you feel off centre by leaning the frames. It shows you that there is so much more than a comic can do without going to the extreme of Marco Rudy* and without falling back to the nine panel grid. Panels can be windows, grids, wavy shapes; people can overlap the edges and fall from one to the other and the artist shows us that we should not be afraid of white space on the page. However there is another side to this. On the close ups and wide shots there is a huge amount of detail and attention to the characters, but in the small panels they lose a lot of definition and there is a lot of inking to hide this. I can accept that this is a style, but I would direct people to Immonen’s work on All-New X-Men. He uses the small panels for close ups and leaves the full body pictures to the bigger panels. When Mike does that here everything looks so much crisper.

I came into this series with absolutely no expectations, unlike Infinity and Battle of the Atom where I was really excited about them. This has probably helped me not get upset that I do not understand it and is giving me the time to process it without requiring it to be awesome straight away. However I think this needs to start giving us some answers by the 4th issue at the latest, or even I might start to lose interest.